Monday, December 31, 2012

How to Have Greater Success in Independent Film in 2013


Conditions in the film business are changing.  Theaters are struggling as consumer habits are drastically shifting.  People still want to see movies, but they also want to play games and use Facebook and watch Youtube and engage in any other number of activities.  

The DVD market has also declined precipitously.  When they do watch films, many people are satisfied to watch them on their big screen TV, their iPad or even their phone, but they would rather not bother with discs.  Instead, they want direct access, either through pay-per-view or subscription models (or pirated online copies, but that’s a different topic for another day).  The revenue from these new home distribution models has not replaced the lost DVD revenue

In looking at these changes, where are the opportunities?  The answers are in audience demographics and a focus on profitability rather than top line revenue.  When you look at many of the most profitable films of the last year, you see a fairly narrow target audience, modest production costs, innovative marketing and strong international appeal. 

Some examples:

1.                  The Best Exotic Marigold Hotel.  This is a film made for $10 million dollars that grossed over $134 million worldwide.  It was aimed at an older audience and marketed in very cost-effective means (including a commercial tie-in with Starbucks).  In terms of profitability, it was a rousing success, playing for 25 weeks without ever breaking the top 5 and having no appeal to the “prime” movie-going audience of teens and young adults. 

2.                  Magic Mike.  This film was made for only $7 million and grossed over $167 million worldwide.  In terms of profitability, this is a gross that is almost 24 times the production cost.  That is a huge number.  And again, it was done without a massive marketing budget.  It essentially sold bare male chests to women and gay men – targeting audiences who are perhaps underserved in the way that this film entertained them.

3.                  Paranormal Activity 4.  Of course, the horror genre is always a good bet to deliver a profit.  This franchise sequel was made for only $5 million (wisely resisting the temptation to grossly inflate the budgets of sequels in a successful franchise).  The picture grossed over $140 million worldwide.  That’s over 28 times its production budget.  It did this with a narrowly targeted audience, modest marketing and strong foreign, all resulting in a huge profit – see the pattern?

4.                  The Devil Inside.  This film made over $101 million on a $1 million production.  That’s 100 times the budget – clearly an anomaly, but no studio picture has any possibility to make that kind of return on a percentage basis.

All of these numbers don’t even consider the subsequent revenue from domestic pay-per-view and other home distribution. 

Here’s the point:  The key to long term success in the film business is to carefully control risk so that losses are manageable, and simultaneously maintain the possibility of substantial returns.  If you can effectively do this, financial success over time is extremely likely.

In summary, follow these rules:

1.                  Target Specific Audiences.  From its inception, each film should be squarely aimed at a clearly identifiable group of people.  This vision should never waiver, and every production element and marketing campaign should be designed and evaluated with this audience in mind.

2.                  Control Production Costs.  This is another advantage of technological advances – production value is less expensive than it used to be.  The money can be concentrated on elements that are truly attractive to the target audience.

3.                  Appeal To The World.  While it is possible to make profit selling only to domestic audiences, it is much smarter to create films that the entire world can enjoy.  International box office is often as much as 2/3 of the revenue for successful films.  There is no reason to leave this money on the table.  

4.                  Market Intelligently.  When you market to a specific audience, you should be able to control marketing costs and still get the message out to your audience.  And don’t ignore the power of commercial tie-ins as a part of your marketing effort.

If these precepts are diligently followed, and you make good films, then losses will be controlled and profit potential will be maximized.  That’s the road to success.  Best wishes to everyone for a successful 2013.

44 comments:

  1. This comment has been removed by the author.

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  2. We all talk about a movie's success based on box office receipts but I always wonder about its long tail revenue streams from non theatrical windows like pay tv, free tv and VOD. I'm sure box office results are a good predictor of non theatrical revenue but what about movies like The Shawshank Redemption? I would guess that it did not make a lot in the B.O. but it's on TV all the time.

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  3. Absolutely, Jay. How many times has Pretty Woman played on TV over the last 22 years?

    Obviously, the earlier the money shows up, the better the ROI, but at the end of the day, business is about making a profit. That needs to be the focus for film professionals who want long careers.

    Thanks for reading the post and commenting!

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  6. Wow i didn't realize Magic Mike was made so cheaply. Very impressive!! How much did they pay Channing Tatum? I thought he would be considered a big time actor at the time of making this film. Did his salary factor in to the cost of making the film? (I assume it would..)

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  17. Continuing what Jay was referring to in finding revenue from sales outside of the box office; a film can certainly become a financial success regardless of whether or not it finds its way into theaters. It really depends on the size of the budget and where that money is being placed.

    If you properly budget in some money for a limited domestic release, you may be able to leverage the sales you could garner in certain markets and use that as ammunition to sell the film internationally. But even if it flops in theaters you would have already budgeted it in and you can go to digital release, VOD, TV, etc., and find decent revenues to recoup the money for your investors (hopefully).

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