My buddy, Jack Wrigley, emailed me today to point out the importance of Amazon's acquisition of LoveFilm which has allowed the Internet retailer to magically turn its Prime subscription shipping service into a film-streaming service. With the flip of a switch, Amazon becomes a force to be reckoned with in digital entertainment.
In light of that development, I think it is fair to say that this week marks the real beginning of a new era in home entertainment. Up until now, Netflix has been in a massive proof of concept stage, showing the world that there is money in streaming movies into homes. Prove the concept they did, becoming a $2+ billion business in the process, with massive growth still ahead. And then within a 24 hour period, Blockbuster acknowledges that its business cannot be revived and agrees to sell the remnants for less than $300 million, and Amazon makes its bold move into Netflix' streaming space. Oh yeah...and Redbox is shouting a distant "Me too!" from its post in front of the 7-11 stores.
Redbox jumped into the home video game for some short term profits, with a model for better price and convenience that was never as good as the Netflix solution. It was good enough to beat Blockbuster's rusty model, but Redbox ignored the obvious pending impact of digital delivery. Redbox uses the Internet for payment and inventory control on its machines while it continues to deliver its films in a dying format. It's somewhat convenient because the discs are available 24 hours a day in places where consumers already go, and you can return the discs whenever you want to any Redbox machine. If there was no such thing as digital delivery of content, it would be a great business.
Of course, Redbox is a division of Coinstar -- a vending machine company. Redbox was designed as a strategy for placing more vending machines, not for giving consumers what they really wanted. It's a perfect example of a supply-driven strategy as opposed to a market-driven strategy. It only works well so long as you happen to be supplying something the market wants.
So, he focused on creating a superior web interface that his customers could use to line up their disc orders. Then, with the flip of a switch (and some new contracts), he let them start watching the films right on their computer. When the inevitable convergence of Internet and television finally arrived, there was Netflix (and its 20 million users) already eating popcorn on the couch.
And while Redbox publicly acknowledges that it needs to be in the subscription streaming business, it is lacking some key elements. First, it has no cool website as an integral part of its existing model. There is no installed user base already making online payments, and no superior user interface. It's a vending machine company. No one wants to stream videos in front of their local 7-11, and that's where Redbox lives. Again, this was predictable; if they wanted to be in people's homes, they should have built their model with a home-based component. They didn't do that.
So, the bell has sounded and the race has officially begun. In addition to Netflix, Amazon and Redbox (at the back of the pack), there is Hulu and Google/Youtube and Vudu and Apple and others. Plenty of horses to bet on. The winners will be determined by their ability to navigate their way onto consumers' televisions, their ability to cut the right deals with studios and other content owners and creators, and good old-fashioned marketing.
And as always, the winners will be the companies that can see around the curve, getting ahead of the trends and letting the rest of the world catch up to them. There is no way to win by chasing someone else's success in today's entertainment business. True vision and innovation are the only paths to long-term success in the new digital environment. Blockbuster learned that lesson the hard way, and there will be more casualties before it's over.